Have a drink with: P.G. Lowery
The best under canvas.
Ask him about: Hustle.
If I say the words “circus music,” you probably have a certain type of music in your mind straight away – something loud, fast and slightly drunk – like this 1902 Sousa band recording of a typical “galop.” And that’s certainly on point, but it doesn’t clue you in to the fact that during the early 20th century, while largely white bands played under the big top, some of the most exciting circus music was happening over in the sideshow, where bands made up of black musicians not only played fast marches and brassy trombone “smears,” but innovated in ragtime, jazz and blues years before they would come into full public popularity. And perhaps the most impressive figure in these groups was the bandleader P.G. Lowery, a classically-trained cornet player who boiled down his many successes into a simple motto: “Good things cometh to he who waiteth as long as he hustleth while he waiteth.”
Chances are, if I say “Glenn Miller,” something like “Moonlight Serenade” floats into your mind on cottony clouds, the dreamy musical equivalent of a Vaseline filter; or maybe it’s the sharp, perky big-band swing of “In the Mood.” Point is, the phrase “early-morning scourge of stuffy Yale professors” is not high on the list of speedy free associations. But in 1943, that was exactly on the nose – and Glenn Miller was waking up sleepy Ivy League students. For America.
Have (many) drinks with: Thomas Fitzpatrick
Hold my beer.
Ask him about: air traffic control
Just last month, a small plane made an emergency landing on a busy street in Washington state (apparently even managing, no small feat, to stop for a red light). These sort of landings are not uncommon, as unusual as they may seem: in the past few months of 2019 alone, small craft have needed to land in decidedly non-airport locations in Florida, California and New Jersey.
For the most part, though, these pilots made the best of a bad situation, and certainly didn’t start their flights thinking they would have to come up with creative landing plans. Back in 1950s New York City, however, there was one pilot in particular who not only enjoyed the practice of, shall we say, non-traditional landings, he very purposely drunk-landed a Cessna on a New York City street. Twice.
Have a drink with: Astronaut Snoopy
Houston? How about Petaluma?
Ask him about: Getting NASA to the moon
Tomorrow will mark fifty years since the splashdown of the Apollo 11 lunar mission (it’s easy to focus on the July 20th landing and next-day lunar walk, forgetting that the astronauts had to go through the equally perilous process of getting home a few days later before everyone could really and truly celebrate). This is an ideal time to revisit a post from a few years ago, talking about NASA and how the space agency used its partnerships with Charles Schulz’ comic Peanuts as a way to buoy up the space program during its darkest times. After the disastrous January 1967 Apollo 1 fire, which killed three astronauts during a “plugs-out” test of the space vehicle, NASA was in need of a mascot to lift spirits, continue momentum towards the goal of landing a man on the moon, and emphasize safety in the process.
Have a drink with: Claire Heliot
“Sentimentalist and lion tamer.”
Ask her about: herding cats
In 1905, the New York Hippodrome opened its doors with a banner performance of A Yankee Circus on Mars, a freewheeling half-circus, half-opera in which the King of Mars, acting as an intergalactic talent scout of sorts, comes to Earth to save a failing New England circus. A splendid spectacle, the show featured an ensemble of hundreds of actors wearing grand robes and frolicking amidst fifty-foot dragon sculptures, live elephants and decadent garden sets. Its star was a lion tamer named Claire Heliot, making her major American debut.
A Yankee Circus on Mars had snapped up Heliot for good reason: she was a sensation in the turn-of-the-century press, journalists marveling over this fair-haired young woman who, alone in the ring in a white satin gown, commanded the attention of a dozen lions. In her showpiece act, Heliot set an elegant table and invited the lions to sit with her, feeding each in turn a hunk of horseflesh with her own fingers, and as a closing flourish offering them “her own pretty head as a delectable morsel for dessert.” (The dinner guests respectfully declined this course.) Heliot’s lions agreeably performed with a group of boar hounds, doing tricks and pulling the dogs about in a chariot; and then in an act that seemed to defy both nature and physics, the lions Sascha and Nero walked from opposite sides of a tightrope towards each other, pausing to balance nose-to-nose in the center.
Heliot would lie down across the bodies of four reclining lions, pose for portraits in her boudoir cuddling the mane of a massive male, and play with the lions as though they were happy kittens. She typically finished her act by slinging a 350-pound male over her shoulders like an overgrown scarf and triumphantly striding from the ring.
Press headlines described Heliot as “frail but fearless.” She was neither; but they did not know what else to say.
Have a drink with: The Liberty Loans Some drill, some till, and some produce the dollar bill.
Ask them about: buying World War I for Christmas
This season not only marks the centennial of the Armistice that brought an end to World War I, but also of the massive public investment campaign that made American involvement in the war possible. In four bond drives conducted in 1917 and 1918, the American public stepped up to fund the war effort by purchasing some $17 billion dollars of U.S. government securities popularly known as “Liberty Loans.”
And if you asked Secretary of the Treasury William McAdoo in December 1917, he’d tell you that the hottest Christmas gift around was a Liberty Loan, because nothing screams “holiday spirit” like punching the Kaiser in the snoot.
Have a drink with: The American Voter
A high and important duty to perform.
Ask: what’s your plan for voting?
Poster, “Don’t Talk Politics in Here if You Are Not Registered.” 1986.0534.23.
We’re not alone among the world’s democracies in this fact, but Americans don’t have a great record on voter turnout, particularly when midterm elections are involved. This is not unique to the modern era, either: back in 1803, when Connecticut was considering the sort of structural political change that would lead to the passage of our 1818 Constitution, fusty Federalist judge David Daggett, writing under a pseudonym in a political pamphlet called “Facts Are Stubborn Things,” (no kidding, dude) encouraged his readers to avoid Election Day laziness:
“[G]ive your suffrages for those whom your consciences approve. Let no federalist say my town will do right without me, or my vote will not oppose the triumph of democracy. Each freeman should feel that he has a high and important duty to perform, and that in neglecting it, he is inexcusable.”
But more to the point: a reminder from the past, courtesy the Brooklyn Daily Eagle of October 10, 1905, that there are lots of ways to remind yourself to go vote tomorrow:
Have a drink with: Presidential Hats Come at me, bro.
Ask them about: how buff was Teddy Roosevelt?
With the collective American mind very much on upcoming midterm elections, and with a host of new and nontraditional contenders running for office, one phrase pops up perhaps a little more than usual: the announcement that one candidate or another has tossed his or her hat in the proverbial ring.
It’s a common, casual phrase in American English – but where does all this hat-throwing come from?
Perhaps the first public use of the phrase was on November 30, 1804, when the London Morning Post recapped a boxing match between fighters Tom Belcher and Bill Ryan. The sports reporter set the stage for the bout by writing:
“The parties arrived at Wilson Green, soon after ten o’clock, where a ring was formed by the spectators, who anxiously waited the event of the fight. Belcher appeared confident of success, and threw his hat into the ring, as an act of defiance to his antagonist, who entertained the same confidence of success, and received this bravado with a smile.”
(FYI: Belcher was favored in pre-fight betting with 6:4 odds, but went down in the 37th round on a knockout. )
Have a drink with: Sarah Winchester
40BR, 30BA; move-in ready!
Ask her about: Extreme Home Makeover, Spectral Edition
You’d be forgiven for thinking that the star of the recent suspense film Winchester is Helen Mirren. She is, after all, a certified badass; a superb actress; and well kitted out for the job in a dour stare and a dramatic swath of black Victorian lace.
In fact, though, the star of the film is a house, purportedly as haunted in reality as it is on film. The Winchester Mystery House, as it’s popularly known, is a 160-room Queen Anne-style mansion in modern-day Silicon Valley, created by the real-life version of Mirren’s character Sarah Winchester. And as a 1940s tourism brochure points out, “The World’s Largest, Oddest Dwelling” is not your typical real estate listing.
So why spend more than three decades building an ooky, nonsensical Queen Anne monstrosity, albeit one with very nice amenities? If you believe the legend, it’s because Sarah Winchester was trying to manage a tenant roster of very unhappy ghosts.
Have a drink with: The Winter Olympics
Faster, higher, stronger, colder.
Ask about: Being young and full of sin
Although technically the Olympic Games have been going on since centuries B.C.E., the modern Games as we now know them began in 1896, with the competition of 241 athletes in traditional track-and-field events, wrestling, gymnastics, shooting and the like in Athens, Greece.
The Winter Games, however, are a comparatively recent addition, and did not first occur until very recently, historically speaking, in 1924 (there’s even film!). And there was at least one person who was not happy about it AT ALL, which you can read all about in an edition of the Brooklyn Daily Eagle published ninety-four years ago today: