Have a drink with: Edwin Forrest & William Charles Macready
The play’s the thing…
Ask them about: Dead sheep as theater criticism
The New York Public Theater’s recent production of Julius Casear, in which the emperor bears a striking and not unintentional resemblance to Donald Trump, was hounded by controversy throughout its run. On June 16th, the performance was interrupted by protestors after Caesar’s assassination scene, with a right-wing activist climbing onstage to call attention to the “political violence” of the production.
This is not the first time American theater – or American Shakespeare performance, for that matter – has been a forum for bitter fighting over contemporary politics. When actors rallied near Manhattan’s Astor Place in support of the Public Theater shortly after the contested performance, it was no doubt with some specific history in mind: namely, the Astor Place Riot of 1849, in which a nasty feud between Shakespearean actors led to an actual battle between New York’s elite and a burgeoning nativist movement.