Have a drink with: Gilbert Stuart
“The one dollar bill.”
Ask him about: Chinese knockoffs
In August of this year, news outlets reported that the White House opened the door for the United States Trade Representative (an executive agency that advises on global trade policy) to conduct an investigation of potential Chinese intellectual property abuses. Citing the possibility of significant harm to American interests in the research-intensive technology sector, the President’s memorandum requested examination of laws, policies or practices that may be unreasonable or discriminatory and that may be harming American intellectual property rights, innovation, or technology development.”
China has long been regarded as particularly flexible in the intellectual property space, with one commentator calling local law and practice a “decades-long assault on the intellectual property of the United States and its allies.”
Nor is this a recent development, only relevant to modern topics like copycats, trade secret theft and brand piracy – Gilbert Stuart, who painted the iconic dollar-bill likeness of George Washington we spend every day (making him the most-reproduced artist ever) was the subject of something a lot of modern artists would find disappointingly familiar: unauthorized foreign knockoffs of his work. In 1802 Stuart, frustrated with an opportunist dealer shipping his works off to China for reproduction, went to Pennsylvania court to claim his copyright and seek an injunction.
